Showing posts with label 2007. Show all posts
Showing posts with label 2007. Show all posts

Sunday, May 31, 2009

62. American Gangster



American Gangster (2007)
Directed by Ridley Scott


While not being the most original film on the list (it tells a very typical gangster/cop story), it’s the matter of fact procedural nature of the film that constantly draws me in to watch it over and over again. In the same way that Zodiac takes its time to flesh out the characters, the settings, and the motivations, American Gangster does that for a particular moment in 1970s New York City.

Speaking of the 1970s, the film is saturated in the 1970s, from the “transport you there” production design to the “doesn’t this feel like a 70s film” cinematography. I’m not sure how they did it, but I never once doubted the look and feel of the film. In fact, although it’s a dramatic story and its told dramatically, it really plays more like a documentary. In contrast to a gangster film like Road to Perdition that was a stylized tragedy, American Gangster is gritty and realistic. You don’t just watch the story and characters of American Gangster, you learn about them and their journeys.

This is not to say there is no drama in the story. I particularly like the way the film holds back any scenes between Russell Crowe and Denzel Washington. Its not until the final act of the film that we are able to finally see the A-listers interact, and they don’t disappoint in a interrogation sequence that lacks all the fireworks of the Joker-Batman interrogation in The Dark Knight, but makes up for it in nuance and intensity. I just love it.

To top it, Ridley Scott throws in a police-gangster shootout for the ages. The sequence builds perfectly and plays itself out in three distinct acts. It’s an action scene that any director would be proud to include on his resume. Me, I’m proud to include this film on my top 100.

Wednesday, March 18, 2009

95. Zodiac



Zodiac (2007)
Directed by David Fincher

With this new entry to my top 100 we take a turn from the simple innocence of believing in ourselves (Kung Fu Panda), to the grey and confused world of David Fincher’s Zodiac. The film roughly follows the lives of the men who attempt to track down and bring to justice the Zodiac killer of San Francisco. For a quick read on the real facts of the Zodiac case here is a link to the Wikipedia site.

Zodiac is a meticulous and methodical movie that spans several years and several main characters. It begins with the initial killings of the serial killer known as the Zodiac and then evolves into a systematic procedural on the attempts to catch him. Fincher absolutely nails the nuts and bolts of this film, as it is a real pleasure to watch this case unfold and reveal layer after layer of detail.


It’s a credit to Fincher that the film always remains engaging, suspenseful, and interesting. The killings themselves are suitably tough to watch as well as unnerving and the manhunt to follow is equally riveting. The technical aspects are as good here as they are in any other film shot for the 70s, especially Harry Savides’ cinematography that perfectly conveys the heavy moral darkness of the film.

While the film works perfectly well as a methodical crime story, we all know in real life that the Zodiac killer was never found. This of course poses some severe problems for anyone trying to make a film because there is no closure. Who was it? Fincher’s creative answer is to not make the goal of the film the capture of the killer, but to make it about the obsession that paralyzed the lives of the men who sought for the killer.

It’s this direction that truly impacted me in watching this film. By the end of the film, Zodiac so wonderfully conveys man’s search for justice and meaning in a world of moral confusion, that is was undeniably relatable. What happens to a man when the quest for justice is never completed? How does one find balance and meaning to a life’s quest that goes unfulfilled? Can a man ever find peace, when such things go unfulfilled?

It’s not an easy answer, but Zodiac attempts to answer this question (which I won’t spoil here), and it’s not only satisfactory, but it’s revelatory. It’s an answer that has grown on me and has taught me patience and peace with the particular obsessions of my life. For that, this is a film I can’t live without.


Other Essentials: All of the outstanding performances, props to any film featuring Brian Cox in a supporting role, the outstanding soundtrack