Showing posts with label 2000. Show all posts
Showing posts with label 2000. Show all posts

Thursday, May 28, 2009

63. Meet the Parents



Meet the Parents (2000)
Directed by Jay Roach


A film that seems mighty odd to come right after such a dramatic heavyweight like Road to Perdition, but Meet the Parents is one of my absolute favorite comedies. I tuly loathe the sequel, Meet the Fockers, but this original comedy finds exactly the right tone to really tickle my funnybone. Stiller gives his typical nice guy in bad situation shtick here, but Robert DeNiro gives the standout performance here. His comedic tough guy performance might seem cliché by now, but it was at its peak during this film. It's a crowd pleasing film and it always finds a way to make me laugh. Give me 63 films and there is no doubt that I wouldn't want to do without it.
P.S. My favorite sequence is the pool party over Owen Wilson's pad



Friday, March 20, 2009

93. The Emperor's New Groove



The Emperor’s New Groove (2000)
Directed by Mark Dindal


I first saw The Emperor’s New Groove in the fall of 2000 on a night when I was in a particularly bad mood. My friends and I drove nearly an hour to the Vero AMC, a nice theatre we would go to when we so desired. In a way that only a truly pleasant film experience can, The Emperor’s New Groove completely changed my spirits and had my friends and I laughing the whole car ride back. I’ve watched it several times since and its simple delights have not diminished.

Much like Kung Fu Panda, there is a sweet innocence to the story of Emperor’s New Groove that makes it such straightforward pleasure to watch. The decision to tone down the animation and go with a stylized look versus a realistic look adds to the “pull up a chair and hear a story” quality that I love. I think I am going to stop myself for a moment. It’s hard for me to encapsulate all the details that work so well for me in this film, so I think I am just going to stop myself here.

There is no overarching social commentary, deep insights, or deep artistic cry in this film,and while the technical aspects are exemplary (the voice over work Kitt, Goodman, and Spade are fantastic), it may be best if I just stick to the basics. I enjoy this film. Its simple and well told. When I am feeling down and need a pick me up, this one will always do it. What more needs to be said? This is a film I can’t live without.